Skype/Gmail/Facetime video guitar lessons now available. FREE INTRO LESSON! PAYPAL now accepted. International customers welcome.
EMAIL KARLSTRAUB@HOTMAIL.COM FOR DETAILS.
Guitarist Karl Straub ("a world class original on electric guitar"-- CD BABY) can now do SKYPE lessons in various styles-- COUNTRY, FLATPICKING, WESTERN SWING, BLUES, ROCKABILLY, ETC.
Until I saw this clip, the only footage I'd ever seen of Tommy Tedesco was his Hot Licks instructional video, which I have on VHS because it doesn't seem to be on DVD. (I just remembered-- he was in the band on the old "Fernwood Tonight" show, so if that ever comes out on DVD I'll snap it up.)
Tedesco was, and is, one of my favorite guitarists. It's difficult to assess his impact because his entire career was in the shadows; he played on countless records, as well as TV and film soundtracks. Many of my favorite TV show themes and background music featured Tommy. The TAMI show concert, just out on DVD, has a backup "orchestra" with Tedesco on guitar. I saw this concert film years ago, and remembered that after the Stones segment, the pit band played a long instrumental "raveup" with killer guitar soloing that sounds like Tommy to me. (If anyone can confirm or deny this, please comment!)
Watching the DVD, I was reminded of how years ago session guitarists like Tommy got on my radar, and how I quickly assimilated them into my mental picture of what the guitar could do. I already had the usual rock guitar heroes of the day in my brain, Page, Clapton, Hendrix, et al, but hearing Tedesco confused the issue for me. Those rock guitarists were great, but were they better than this guy who seemed to be able to play expertly in any style?
Recently, I've been planning out my playing for a recording session where I'm playing a version of Thelonious Monk's "Round Midnight." I've been trying to decide which direction to go on that track, and kicking around some ideas-- Jeff Beck Yardbirds fuzz? Danny Gatton trash with slapback? When I heard Tedesco's playing on the TAMI show finale, it all came together for me. I've never heard any rock guitar better than what he played there-- it's essentially the sound of a jazz guitarist slumming. If I can get some Tedesco-esque picking on this recording, my job will be done. Thanks, Tommy!
GEORGE BARNES, complete transcription "CHICKEN IN THE ROUGH."
This is Barnes's jazz version of the fiddle tune Chicken Reel, a traditional piece heard in many cartoons and movies, Foghorn Leghorn, etc. It's three minutes of Barnes soloing, from his rare-as-hen's-teeth "COUNTRY JAZZ" album. It's pretty much a guitar lesson in every bar. D.C picker Jim Stephanson told me that Danny Gatton learned every lick on this record years ago. I sell this transcription for $15.00. Email me for info, karlstraub@hotmail.com.
SKYPE/GMAIL/FACETIME VIDEO LESSONS AND TRANSCRIPTIONS. INTERNATIONAL ORDERS WELCOME.
"Cool Blues," by Charlie Parker. live Combo with Jim Stephanson.
"In a Mellow Tone," by Duke Ellington. live Chicken Fried Swing, with Ira Gitlin.
"Stone's Rag," traditional fiddle tune, solo acoustic demo.
Karl Straub teaches guitar privately in Arlington, Virginia. For information about lessons, go to guitarteacherkarlstraub.blogspot.com You can email Karl for additional information at karlstraub@hotmail.com. For those who live elsewhere, Karl can also do "virtual lessons", where he answers questions and provides transcriptions and guitar exercises tailored to the individual player. If there's a guitar lick, solo, fill, chord, etc. that you can't figure out, email Karl and he can help. It's now possible for Karl to record a video of himself playing and explaining musical examples. These can be sent to the student in email, and even put on an Ipod/Iphone. If you are interested in doing a lesson this way, please email Karl with an explanation of what music you want to work on, and he can give you a cost estimate.
I encourage people to print out the musical notation examples as a single copy for personal use. Other use is forbidden without written permission of Karl Straub. Feel free to link to my material.
HOW TO USE THESE LESSONS
Transcribing has its limitations, and even to get an incomplete representation of what someone played can take tons of time. I've noticed that when I make transcriptions for my students, they often ignore a lot of the articulation suggestions I put in, because they are struggling just to read the notes. For these reasons, I've decided to streamline my transcriptions, leaving out some of the fussier and more obsessive details. In spite of this, I still feel they are among the more accurate ones you'll find on the net. Please feel free to email me (karlstraub@hotmail.com) or post comments about any mistakes you find, along with questions or suggestions. I suggest you use the transcriptions as a rough guide to the recordings, and do plenty of listening to the originals. Sometimes I'll record my versions, usually I suggest you listen to the originals.
USING THE LESSON MATERIAL in some cases, I offer specific suggestions about how to use the material in a lesson. In the absence of anything specific to a particular lesson, here are my general recommendations.
1. If it's at all possible, work through an entire lesson. When your schedule makes it impossible for you to do this, there's a lot of value in taking small pieces (even just a couple bars) and practicing them repetitively. I recommend practicing things in sets of ten. This means picking out some amount of material that you can play correctly ten times in a row. In some cases, you'll get a technique exercise. In others, you may hear an idea that you can use to expand your vocabulary. 2. If reading is frustrating for you, even tablature-- keep these ideas in mind. Even a good reader is going to fumble reading some parts; reading is just plain hard sometimes. Try to use your reading skills in conjunction with listening-- reading becomes more fun when you can look at notation and hear it in your head. When necessary, use the notation more as a doublecheck reference than your primary source. Just make sure that you doublecheck to make sure you're playing something as written. No doubt most of what I've come up with can be improved upon, but the key is to clarify your musical thought by forcing yourself to play what is written. When you can do that, feel free to embellish what I have here. It's fun playing what another great guitarist played-- but it's only an interim step.
My name is Karl Straub. My training is in music education, but I am also a member of that most admired of all categories, the self-appointed Internet pundit and radio host. If you need someone to play Telecaster, or to bloviate, or both, I'm your man!
I love this guy ... I have "Confessions Of A Guitar Player"! What a life!
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